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Povzetek

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English: Myths & Legends of China

By E.T.C. Werner H.B.M. Consul Foochow (Retired) Barrister-at-law Middle Temple Late Member of The Chinese Government Historiographical Bureau Peking Author of “Descriptive Sociology: Chinese” “China of the Chinese” Etc. With Thirty-two Illustrations In Colours By Chinese Artists George G. Harrap & Co. Ltd. London Bombay Sydney

In Memoriam

Gladys Nina Chalmers Werner Page 7 Preface

The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.

This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. Page 8

My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.

Edward Theodore Chalmers Werner

Peking

February 1922
Español: Ilustración de Confucio en el libro “Mitos y leyendas de China” (1922) de E.T.C. Werner.
Datum
Vir http://www.gutenberg.org/etext/15250
Avtor By Chinese Artists

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Ta slika je na Kitajskem v javni domeni, ker so avtorske pravice na njej potekle.

V skladu z avtorskopravno zakonodajo Ljudske republike Kitajske (s pravno jurisdikcijo samo na celinski Kitajski, vključno s Hongkongom in Makavom), spremenjeno 11. novembra 2020, dela pravnih oseb ali organizacij brez pravne subjektivitete ali storitvena dela ali avdiovizualna dela vstopijo v javno domeno 50 let po prvi objavi ali 50 let po stvariti v primeru neobjave. V javni domeni so tudi fotografska dela fizičnih oseb, na katerih je varstvo avtorskih pravic poteklo pred 1. junijem 2021. Vsa druga dela fizičnih oseb vstopijo v javno domeno 50 let po smrti avtorja.
Skladno z avtorskim pravom Republike Kitajske (trenutno z jurisdikcijo na Tajvanu, otokih Penghu, Kinmen, Matsu idr.) vse fotografije in kinematografska dela ter vsa dela, na katerih je imetnik avtorskih pravic pravna oseba, vstopijo v javno domeno 50 let po prvi objavi ali 50 let po stvaritvi v primeru neobjave, vsa druga dela, ki so varovana z avtorskimi pravicami, pa vstopijo v javno domeno 50 let po smrti avtorja.

Pomembna opomba: Dela tujega (zunaj ZDA) izvora morajo biti avtorsko nevarovana ali prosto licencirana tako v domači državi kot v ZDA, da so lahko sprejeta v Zbirko. Za dela kitajskega izvora, ki so v ZDA vstopila v javno domeno zaradi nekaterih okoliščin (npr. objave, ki ni bila skladna s predpisanimi zahtevami), so lahko bile avtorske pravice obnovvljene v skladu z Zakonom o sporazumih urugvajskega kroga (URAA), če je bilo delo na datum, ko je začel za državo veljati zakon URAA, avtorskopravno varovano. (Za Ljudsko republiko Kitajsko je začel URAA veljati 1. januarja 1996. Za Republiko Kitajsko je začel URAA veljati 1. januarja 2002.[1])
Naložniku: Prosimo, navedite, kje je bila slika prvič objavljena in kdo jo je ustvaril ali je imetnik avtorskih pravic na njej.

Na stran morate dodati tudi oznako za javno domeno v Združenih državah Amerike, s katero razložite, zakaj je delo v javni domeni v Združenih državah Amerike. Upoštevajte, da v državah, ki ne uporabljajo pravila krajšega trajanja in v katerih traja avtorskopravno varstvo dlje kot za življenja avtorja in še 60 let, to delo morda ni v javni domeni. Konkretno traja varstvo v Mehiki še 100 let, na Jamajki še 95 let, v Kolumbiji še 80 let, v Gvatemali in na Samoi še 75 let ter v Švici in Združenih državah Amerike še 70 let.


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